Inspired by W.G. Sebald’s book and based on WWII archive footage, the film puts forward the question: is it morally acceptable to use civilian population as a means of war? Is it possible to justify mass destruction for the sake of higher “moral” ideals? The question remains as relevant today, as it was 80 years ago, and its urgency is tragically manifested in the current event...。著名画家许麦在病床弥留之际,得知妻子程美娟与管家私下早已勾结,儿子许程豪也不是自己亲生的,无力回天的老年许麦在举目无亲的惨状下黯然逝世。但命运的齿轮转动,上苍给了许麦返老还童的机会。重生后许麦救下了正在遭受程美娟迫害的亲生女儿许落。