One of our greatest contemporary filmmakers, Filipino director Lav Diaz, meets a Cuban cab driver, Gustavo Flecha. When their discussion touches on one of ex-dictator Marcos’ collaborators—now supposedly a refugee in Cuba—the film opens onto a new dimension of great formal beauty, artfully articulating the relationship between the political past and the present. 源自: ....。即将离婚的Olavi来到湖边的小木屋隐居。几天后,他发现起居室内的天花板掉了下来。好友Tuomas前来探访他,并不顾Olavi的反对,坚持要采取措施来改变这种状况。。