1930年的一天,杰西·欧文斯带着全家人的嘱托,成为俄亥俄州立大学的新生。田径队的教练,前运动员劳瑞注意到了他的天赋,认定他有成为奥运会奖牌争夺者的潜质。然而作为拉美裔黑人运动员,他在生活和赛场上都受到了不同程度的排挤,养家的重任更让他疏于训练。在劳瑞的帮助下,杰西的妻儿生活得到了保障,他也在第一次出赛中就轻松打破百米和跳远的世界纪录。1936年德国柏林奥运会在即,但反犹太和有色人种的呼声四起,美国通过投票决议参赛。杰西肩负巨大的压力,在教练劳瑞的陪伴下前往柏林,准备用成绩为自己正名。在跳远赛场上,杰西的对手是德国队劲敌卢兹,并在他无私的帮助和支持下一举夺冠。杰西在众望所归之下,带着四块金牌返回祖国。他的荣誉不只是个人骄傲,更是民族自豪感的体现。关于此次奥运会的一切,都被女导演莱妮的摄影机镜头记录下来,并载入史册。。在个人和融入之间,如何不被扭曲活出真我?一部关于自我价值和身份认同的作品——聋人不再是作者的设定,而是主人公,我们不只看得见声音还听得到静音。三位赤诚的聋人青年,出身自不同的家庭,因为不同的机遇和身体状况,对聋人身份和处境有着不同看法和态度。一个活得自信,一个努力融入,一个则不敢苛求。手语把三人连上,现实却撞得彼此遍体鳞伤,他们能否走上耳目一新的一章?避过一切猎奇怜悯的眼光,以最严谨真诚的态度取得微妙平衡,舞动的手语带动情感流动,由衷的尊重充满每一个角落。选角用心精准,令每位大小演员都散发出亮眼的光芒,游学修、钟雪莹和吴祉昊细致的演出更是真挚动人。。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power.
Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute.
Eva Näripe。