The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。東映Vアニメ(OVA)として、1989年に『ゴクウ』(以下『I』と表記)、『ゴクウII』(以下『II』と表記)としてVHS、LDで全2巻が東映ビデオからリリースされている。『I』は原作の第1話からのエピソード「洋子」を、『II』はエピソード「良子」をそれぞれ映像化している。2008年4月21日に「MIDNIGHT EYE ゴクウ コンプリートDVD」としてDVDも発売された。 スタッフ—— 原作:寺沢武一監督:川尻善昭脚本:寺沢武一、中西隆三(『II』) キャラクターデザイン、作画監督:川尻善昭(『I』)、浜崎博嗣 メカニックデザイン、メカ作画監督:岡村豊(『I』)、佐野浩敏(『II』) 原画:森本晃司、岡村豊、小池健、竹井正樹 ほか 美術監督:山川晃(『I』)、小関睦夫(『II』) 背景:男鹿和雄 ほか 音楽:タケカワユキヒデ・KAZZ TOY...。以圣诞新年为主题的京东定制电商主题趣味音乐会。。